Wednesday, April 21, 2010
I love how the stories within this genre kind of have a puzzle-solving element with trying to figure out who's AI and who's not. It's like you're not sure who's a human being and who's not, and I think that really attributes to the whole "we're totally screwed" atmosphere. That's why typically the protagonist is the only person with any sense of hope in the whole Dystopian world. Gibson's stories really inspire me, and I'd look forward to reading more of them in lieu of working on my own stories.
Friday, March 5, 2010
I’ve always been a huge fan of Japanese culture in general, and Japanese Horror is no exception. Japanese horror differs from American horror in a number of ways. For one thing, its based more on psychological fear, as opposed to a gory slasher flick. It also has its roots in spirituality, which typically stem from some history behind the story.
Most elements of J-horror are composed of helplessness and depression. Typically the context of the environment is very dull and dreary. I think that part of that is attributed to Japan’s high technological standards. Sociological standards seem to be asphyxiated on this world of technology, that people often forget about the importance of their lives. They become so lost and stop caring to the point of near suicide. In fact, most of the “mosters” of Japanese Horror are typically associated with a tragic death of a woman or child. There aren’t usually rich luscious environments in J-horror either; mostly very gray dull mundane cities. All of this helps contribute to the psychological atmosphere of the subject matter. A lot of Japanese horror movies really exemplify this: The Ring, The Grudge, Pulse, and many others that have grown in popularity over the years.
I started reading Kwaidon for the J-horror assignment, and have yet to finish it. But so far, I’ve enjoyed it, and noticed some differences between it and typical modern Japanese horror. For one thing the context is described more through visual imagery, as well as the situations being based off of ancient Japanese folklore. I believe that’s mostly because these stories have been around since before Japan’s modern technological society started to influence its literature.
I’ll have more to say about this one when I finish reading it.
Wednesday, March 3, 2010
It didn’t dawn on me that Neil Gaiman was the original author of the Coraline novel until we watched the movie in class. I never realized that he had such expansive list of his works for not just his own novels, but also for film and television. The story is told very well, in a rather dreamy manner. I loved the movie when I originally saw it, and the transitions between worlds. (It makes sense that Coraline’s parents were writers, since he based all the characters off his own life.)
Neil Gaiman is a rather intriguing fellow. I agree with what he says about children’s fiction really being the best. Honestly, I started reading Anansi Boys and thought it was okay. I mean, the story seems like an interesting concept, and it’s introduced in a cunning way. Oh this apathetic guy named Fat Charlie leads a rather mundane life, until one day he figures out of his father’s passing in an unusual and embarrassing manner. Not that that was really any different from how he was embarrassed by his father while growing up. He also figures out that he has a long lost twin brother named Spider, who can only be summoned by asking an arachnid. Spider is the exact opposite of his brother, charming, witty. Fat Charlie’s life is therefore changed and has to adjust with all these changes. Oh by the way, did I mention his brother takes his fiancé away from him, as well as other facets of his life? The story is an interesting idea, but I find Gaiman’s children’s fiction to be so much more intriguing. I do enjoy the way he writes, as it is easy to get into. I really want to get his Graveyard Book, as well as read the original Coraline book.
Gaiman is definitely a traditional storyteller in the act of telling a mythical folktale without explaining how things happened. I’d like to see Mirrormask too, but apparently the actor that was casted to be the protagonist is older than the character calls for. She’s an older teen, when really a pre-teen should’ve been casted for the part. I’m definitely looking forward to checking out more of Neil Gaiman’s work, as well as others within the genre.